This movie intrigued me when I saw it feasted on by Japanese manga lovers’ eyes on Facebook. It turned out to be the most-awaited manga-series movie adaptation this year, which was initially released last year. Supposedly, it was to be shown in the Philippines last March , but the showing was postponed without any clear reason.
On its first showing day, it was a block-buster. When I gave its trailer a try on You Tube, its concept stirred me: A deaf girl wants to befriend a bully boy.
The first thing that I liked about the movie is its characters: Shōko Nishimiya and Shōya Ishida. I could relate to Shoko, for I also have problem with my ears. Despite her handicap, she tries to be optimistic and genial. She wants to live as ordinarily as what her classmates do. On the other hand, Shoya is a bully who has no interest in others. All he wants to do is to make fun of his classmates. He feels a certain amount of animosity toward Shoya, especially whenever she is so friendly to him. It’s a kind of yin-yang scenario.
But what gave me a significant impact is Shoya’s existential crisis. After Shoko transferred to other school in light of his persistent bullying, he became the butt of others’ bullying. He became an outcast. He lost his friends , especially the ones he usually spent time together with. Then,he would look at the people he was no longer close to with an X over their faces. In addition, he began to question himself about the real meaning of being a “friend” and life. He found his life meaningless. Or he may be bothered by the specter of his conscience after what he did to Shoko. Consequently, he attempted to take his life by jumping over a bridge, but realized that there is life he needs to attend to: his mother.
In a deeper context, the title itself is not only about Shoko’s being a hearing-impaired, unable to give voice to her personal hopes, fears, and dreams, but also about all the characters who are inextricably intertwined with the story. All of them are interrelated to their hidden, deep-seated acrimony. For instance, Shoya had never been apologetic about his being a bully causing his classmates to have been stuck in a past they could never let go of. Miyoko Sahara, the only student who befriended Shoko for a short time, had to confront the fact that she ran away from Shoko in fear of her classmates’ bully. Miki Kawai whom Shoya referred to as a hypocrite for not doing anything when Shoko was being bullied, for the only thing she would love to do is to be praised for her beauty. Naoka Ueno, who secretly loves Shoya, hates and blames Shoko for making Shoya sad. But , in truth, she also abhors her for being weak , unable to protect herself. Those major characters , aside from the others, contributed to the deafening silence, to the broken past leading them to not move on in their life. To lead a happy, normal life, all they had to do is to smash their silent voice to smithereens by sharing their life with one another again, shattering the illusions of fears, egotism, hopelessness . In the end, Shoya mustered up enough courage to face the people he would always look at with an X over their faces. The ending was redemption.
It’s my first time to review an animation adaptation movie despite that I haven’t read its manga series yet. Personally speaking, it is not as gripping and exhilarating as the other Japanese anime I have watched such as Your Name by Makoto Shinkai and Spirited Away by Hayao Miyazaki. It is a bit boring since the title itself has major relevance to the totality of the movie. Nevertheless, its characters and the story replete with deeper moral values highlight the movie. Therefore, it is still worth watching. 🙂
Rating: 3/ 5 stars ( I liked it.)